<p>the good thing of this game can bring to the student but specially the namebully   is not so pleasant to hear. Still, on the company behalf, they should need to make it attractive, especially for students. </p>

<p>Okay, so it looks like it's been some time since one of these was posted but I like what I've seen come from this type of thing before so I'll give it a shot. </p><p>While I had considered posting about Zach Kelso or Blake Baines (he'll get a page someday) I decided to post about Emily Lawton because unlike my two other student OCs, I don't have anything specifically planned for her. Don't get me wrong, I made all three with the intention of having some interactions with each other but there are a couple details I believe need to be worked out with Emily. </p><p>First off, I had some mixed feelings about whether or not she should be Joe Lawton's daughter because the concept seemed odd to me. However, after creating Andrew Lawton to fill that role, it later felt like he was created solely for that purpose. Not that he was an important character to begin with but I guess I want a second opinion on her role in the Lawton family. Also, how it would look for the President's daughter to be sent to a school like Bullworth. </p><p>Alternatively, she could be Joe's grandchild and have a connection closer to the First Family. This one might be trivial one to dwell on but it's had me stumped for awhile. </p><p>Next, though I know how I want her to mingle with the Preppies, where she lands in terms of Derby's circle is something I might need someone who knows his character better to give me an insight on. To expand, I imagine the Harrington family has loose ties to Joe Lawton such as donating to his presidential campaign. Would something like that see Derby treat Emily with some respect out of an action like that or could that postive attention come with just her name? </p><p>Overall, I would like to hear what people expect from Emily beyond that as well. Thank you for feedback in advance! </p>

<p>Hoookay, so again, money where my mouth is. I'm happy for folks to come and take  a look at my greaser girl: Dez Russo <-- click for her profile, it's a Google Doc. </p><p>A gist of her character: She's in a greaser gang of girls led by Lola (because why not), and though she's plain and not super conventionally attractive (her faceclaim ), she has dreams of becoming a famous rock star one day. She does anything and everything to aim for this dream, but between keeping up her grades, helping her family and having a pretty active social life, Dez holds onto that dream like a lifeline. </p><p>I'm not looking for critique on anything in particular. I would appreciate it if people just let me know their thoughts, what they like/dislike, what could be improved, etc. All that good stuff that comes with crit. </p><p>Thanks and happy writing! </p>

<p>I have done quite a bit of a revamp of Antonia. To be honest, her old version was a lunatic. Flat. Unrelateable. Only served to be Milo's lunatic ex. I'm the first to admit it.  </p><p>I've tried to develop her more into a proper character in her own right, and do something different with her than I have done with any of my other characters.  </p><p>I am looking for concrit. Just tell me straight what's lacking, and what needs to be worked on, etc. Heck, even tell me how you interpret her character. That helps to, to make sure she is coming across how I intended. </p>

<p>So I was wondering, why not create a comedy, action, horror, romance and angst story for Bully (don't worry I can fit all those genres together.) But please I am not talking about Gary Smith/OC or Jimmy Hopkins/OC or Gary/OC/Jimmy/Pete/Gord/Lola/Derby/OC/Crabblesnitch/Mr Galloway or anything of the sort. There will be oc's, yes, I've got mine planned  out, but I will not be shipping ANY OC with Jimmy, Gord, Gary OR Pete. I think my OC will be with an OC character   So here's the plot (for those interested in helping me write it) : After pleading and begging and what not, Gary's mother convinces Crabblesnitch to accept Gary back. It's been three months since he was sent to Happy Volts (or was it Vaults) and the doctor's say he's doing much better now. His mum doesn't want him to live with her because he's a burden (and insane). So Gary returns to Bullworth. What happens next? (idk I'm pretty excited about this) Gary/Pete, Jimmy/Gord, Trent/Kirby, OC/OC and blah blah   </p>

<p>I figured this would be the best place to post this, because that is what writing clubs are for. Sharing tips, tricks, and advice. </p><p>Here is a little FAQ about them, but if you have any questions I haven't covered, go ahead and post it and I'll answer </p><p>What is a "Drabble?" </p><p>A drabble is a piece of narrative, or a very small story that is exactly 100 words - no more, no less. Usually they focus solely on one character, sometimes two at most. </p><p>How do I know if I've written 100 words? </p>

1. The old fashioned way, by counting them yourself.
2. Use some kind of online word counter, or using the one that comes with Microsoft Office, or some other program designed to count the words you've written.
3. Or alternatively, you could use this template. (Add your own punctuation or layout.) Just replace the number with the word. I.E: Delete 1 and replace it with the first word of your story, and continue that way.

<p>1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 </p><p>Can I put dialogue in my drabble? </p><p>Yes! Of course. If you want to add a few words of dialogue, go ahead. They are the same as any other form of narrative, just shorter. </p><p>If I wanted to write another drabble, that continues on where the other left off, could I? </p><p>You could, but if you are going to do that, I would recommend writing a short story. Drabbles are usually stand alone narrative. </p><p>Are contractives such as "won't" or "couldn't" one word or two? </p><p>One word. Most office programs count them as one. </p>

<p>This was really helpful with moving forward with Antonia, so I figured I'd love some thoughts and feedback on Sarah. </p><p>When I created Sarah, she was intended just to be a 'Tis The Season exclusive. A girl to date Pete, and not much more than that. Since then she has been mentioned a little bit in the Greaser arc, in the fact that she continued to date Pete off focus. </p><p>I would like to develop her further. Compared to all my other characters, her voice is the quietest, in the fact that she doesn't stand out much. I know she has a crippling shyness, and I do like that about her. Having her become more confident in her life isn't an option, because that will just take away everything she is. Honestly I feel like I've painted myself into a corner with her. </p><p>So, thoughts/feedback/constructive criticism, please? </p>